▲ SOLO EXHIBITION @ BIRCH CONTEMPORARY  ( TORONTO )


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MNEMØNIC LANDSCAPE
 
Opening:       April 30 · 2016 ⁄ 3 – 5pm
Exhibition:   April 30 – June 4 · 2016
 

 
Birch Contemporary is pleased to present Mnemonic Landscape, a solo exhibition of new works by James Nizam. Focused between the states of presence and absence, illumination and erasure, Mnemonic Landscape tackles the material of the trace as it moves into and out of dissolution. New ways to affix the photographic medium to alternative representations emerge, wherein a fragment, artefact, photograph or sculpture become one in the same thing. Within this framework, Mnemonic Landscape unveils the photographic possibilities for the still image to activate space.
 

 
Birch Contemporary
129 Tecumseth Street
Toronto, Canada
www.birchcontemporary.com
 
 
 
 

▲ PUBLICATION W/ ALMOST SECRET BY BEPPE FINESSI  ( ITALY )


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QUASI SEGRETI / ALMOST SECRET
Drawers, Between Art & Design

 
Curated by Beppe Finessi
Promoted and Supported by Foscarini and Inventario.
 

 
To mark the exhibition “Almost Secret,” Inventario and the Museo Poldi Pezzoli present a new reflection on an issue that, over time, has raised the interest of the creative worlds of art, design and architecture: the drawer. The book published to accompany the exhibition is therefore a collection of projects on the theme of drawers and chests of drawers, important elements in the history of furniture, functional containers, capable of collecting, containing, sorting and hiding, but also able to rekindle memories and nourish thinking.

Among the pages of Almost Secret, there are works of art and design objects around the theme of the drawer, the subject of ongoing experimentation on the part of grand masters as well as new protagonists of design and visual arts. Essays by Beppe Finessi, Annalisa Zanni, Stefano Salis and Francesco M. Cataluccio tackle the research object, which are illustrated in the book with over 140 images of significant works, from Shiro Kuramata to Ettore Sottsass, from Alessandro Mendini to Raw Edges, and from Los Carpinteros to Salvador Dalí.
 

 
Museo Poldi Pezzoli
12 via Manzoni,
Milan, Italy
 
 
 
 

▲ SOLO EXHIBITION @ MAERZ GALERIE  (BERLIN)


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Maerz Galerie
Potsdamer Straße 81b
D-10785 Berlin, Germany
www.maerzgalerie.com
 
 
 
 

▲ FEATURED IN CANADIAN ART MAGAZINE


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Canadian Art  •  Spring / 2016

‘Aperture for Destruction’
By Kimberly Phillips
 
See Press to download full feature